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printmaking

Works made by hand and rarely left alone: encaustic boards, paraffin, gum bichromate over cyanotype and platinum-palladium, each image as much object as picture. 

Photographs mostly black and white, mostly portraits, mostly straight. Pictures about time, and about who is looking at whom. No wax, no layers, nothing to hide behind.

Monoprints, ones of ones. Cameras, boomboxes, rockets, beetles and bones, pulled in halftone and finished by hand, with the dots left in.

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